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"Rapt in Plaid combines reflection, criticism, and memoir to illustrate a curious and long-lasting connection between Scottish and Canadian literary traditions. Examples drawn from genres including lyric poetry, narrative romance, war fiction, children's literature, sentimental fiction, thrillers, domestic novels, and short stories link Canadian writers such as John Richardson, Isabella Valancy Crawford, Sinclair Ross, Hugh MacLennan, Margaret Laurence, and W.O. Mitchell to Scottish writers such as Robert Burns, Walter Scott, Thomas Carlyle, J.M. Barrie, Robert Louis Stevenson, John Buchan, and George Mackay Brown."--Jacket

Scottish literature --- English literature --- Canadian literature --- History and criticism. --- Scottish authors --- Englisch. --- Kanada --- Schottland --- Ecosse --- Scotia --- Scotland --- Schotten --- Großbritannien --- Canada --- Dominion of Canada --- Puissance du Canada --- Kanadier --- Provinz Kanada --- 01.07.1867 --- -Scottish literature

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"Establishing Our Boundaries" is a cultural history of Canada as seen through the eyes of twenty-one of English Canada's leading theatre critics commenting on the creation of an indigenous Canadian national theatre and drama over two centuries. Canadians have always had an intense relationship to the theatre. As Canada has transformed from colony to Dominion to independent nation, the development of a national theatre and the public responses to it have both reflected and affected how we know ourselves. Eighteen essays, written by top scholars in the field, cover the range of influential English-language theatre reviewing from 1829 to 1998, and from Vancouver to Halifax. The word 'critic, ' refers primarily to newspaper columnists. The criticism under scrutiny here-much of it only available on microfiche-is generally short (ten column inches) and reflects an immediate, often heated response to the show. Some longer pieces, Hector Charlesworth's (1890-1945) and B.K. Sandwell's (1932-51) work at Saturday Night, are also examined. The editor's extensive introductory essay explains the cultural context for the material considered and suggests a current crisis in criticism. A forceful and provoking tradition of theatre criticism in Canada developed long before Nathan Cohen's outspoken voice called attention to it-of course his confident and controversial work is given a full treatment here. The call for an indigenous theatre arose simultaneously with the proliferation of Canadian newspapers. Patrick O'Neill's meticulously thorough essay 'From Puffery to Criticism- William Lyon Mackenzie, Joseph Howe and Daniel Morrison: Theatre Criticism in Halifax and Toronto 1826-1857' discusses both the status of journalism and the instrumental roles those three played in creating an actual theatre criticism. Issues such as the creation of colourful personae and the implicated nature of criticism are broached by Douglas Arrell. Gina Mallet's iconoclastic and at times incendiary columns in the Toronto Star, appearing between 1976 and 1984, get an admirably sharp review by Alan Filewod. In 'Establishing Contact between Two Cultures: Marianne Ackerman at the Montreal Gazette 1983-87,' Leanore Lieblein offers a sensitive analysis of francophone / anglophone relations. Robert Nunn speculates on the tricky border between traditionalism and postmodernism in the work of Ray Conlogue at the Globe and Mail. Chapters look at the influence of critics, both on a local and national level, who have held sway over the past 172 years at the Novascotian; the York Colonial Advocate; the Toronto Daily Leader, Mail, Globe, Globe and Mail and Toronto Star; the Montreal Herald and Gazette; Manitoba Free Press, Winnipeg Daily Tribune and Winnipeg Town Topics; as well as the Calgary Herald, Vancouver Sun, Saturday Night, Canadian Tribune, and the Canadian Theatre Review. The essays on the critics writing for these publications analyse their attempts to stimulate an indigenous Canadian theatre and drama, and their views on religious, moral and political issues, censorship, cultural colonialism and cultural nationalism, government support of the arts, English-French cultural relations, Canadian national, regional, and minority identities, and the preponderant influence of American popular culture on Canadian artistic creation. Anton Wagner, in amassing this impressive collection, has drawn on his unique combination of practical experience as a producer, an academic background, and political involvement in Canadian theatre in order to meet his mission statement: 'To fill a significant gap in our knowledge of Canadian cultural history.'

Dramatic criticism --- Theater criticism --- Criticism --- History. --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Kanada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey

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As free trade talks continue uncertainly, as Ottawa and Washington toss protective tariffs at each other's goods, and as the provinces continue to disagree among themselves and with the federal government, the search for a national economic policy goes on. A critical element in that search is the balance between regional needs and federal priorities. Peter Leslie's interpretive essay provides a context in which to view the political and economic forces that make up that delicate balance, including those highlighted in the report of the Macdonald Commission. He discusses the nature of Canada's federal system and its relevance to policy, especially in the economic sphere, where differential effects among regions are often difficult to avoid. Leslie offers a thoughtful appraisal of a historically complex set of relationships and suggests the ways in which it will determine strategy in an area that will continue to occupy political centre-stage in Canada for some time to come.

Federal government --- Canada. --- Canada --- Politique economique. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Kanada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey

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This book traces in an accurate and objective manner the sequence of events during the last twenty years which have influenced the organization fo the Canadian grain trade. During these years problems arising out of the production and marketing of western grain have been under continuous review in Canada, leading at different times to royal commissions of inquiry. The production and sale of cereals have become such a vital part of the economic life of the three prairie provinces and, indeed, of Canada, that anything affecting this great industry becomes at once a subject of general interest. These twenty years have witnessed momentous changes. The period marks a shift from free trading on the open market to the compulsory marketing of Canadian wheat and other grains through the medium of a Federal board endowed with wide powers. Basically, this change stems from conditions arising out of the Great Depression and World War II. And in one form or another the Canadian Wheat Board will continue to be a significant factor in the marketing of Canadian wheat. Noteworth also have been the dramatic recovery of the Pools and the negotiation of international agreements; and, on the farm front, the establishment of a permit system to control deliveries of grain to country elevators, and the enactment of legislation to protect producers against losses arising from the hazards of nature.

Grain trade --- E-books --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Kanada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey

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Canada is caught between two empires and between two constitutional systems. However, neither the British model of a "single sovereign" nor the American people's "sacred fire of liberty" matched the pluralistic identity of Canada, so Canadians engaged in constitutional experimentation. In Canada and the Ethics of Constitutionalism Samuel LaSelva argues that, in order to understand the old Canada of Confederation and the new one that followed the Charter of Rights and Freedoms, it is necessary to see how distinctive Canadian constitutionalism is and how that distinctiveness does not depend on borrowings from the British or American constitutional models. LaSelva supports his argument by exploring different aspects of Canada's contribution to the ethics of constitutionalism including the limits of free expression, the Charter's notwithstanding clause, the origins and functions of judicial review, the Quebec secession debate, Aboriginal self-government, and the conception of Canada as a multicultural and multinational mosaic. Through a careful consideration of how Canadian constitutional pluralism with its focus on the rights of others differs from American and British ideas, Canada and the Ethics of Constitutionalism provides engaging answers to contested questions about how Canada was founded and what it has become.

Constitutional history --- Canada --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Kanada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey --- Politics and government.